Waving Not Drowning, or, I've Been Preparing For This My Whole Life

It’s here folks!

That moment that we’ve all discussed whilst watching TV shows about the apocalypse; whether zombie or otherwise. The question we all ask is: Who would you want on your side in the event of such and such disaster – and how well could you survive?

Well, I gotta say, me and my hubby have been preparing for this for years. No, we aren’t ‘End of the World’ nuts, or ‘Doomsday Preppers’. We’re artists.

Yes. I did say artists.

In the early 1980s, we were both students at a mediocre university studying Fine Art. Afterwards, we were two of the unemployed millions in the UK. For almost 4 years, we lived off £27 a week. We went shopping once a fortnight – because that’s when one received dole money. We played a single game of pool at the local pool-hall, for 20p. Then we went back to our little flat, and worked.

UK in the 1980s under a Tory government was full of class warfare, hate, violence, unemployment, closures, cutbacks, protests and riots.

When I say worked, of course I mean painted, created, drew etc. We also (to the amusement and puzzlement of friends), had separate bedrooms. He worked in his; the larger one, whilst I worked in the living room. We came together for evening meals, TV ,occasional walks and of course, a bit of fun!

On March 2nd, 2019, I wrote a post called The Loneliness of the Long Distance Writer In light of the current situation; COVID-19, Coronavirus pandemic, in this post, I’m sort of returning to that theme – being alone. Not lonely.

After university, whilst my then boyfriend, now husband, were on the dole, we lived a rather meagre existence. Our rare annual holiday consisted of heaving metal-framed rucksacks with tent around the soggy hills of Wales or Scotland (Note: this is now called ‘Wild Camping’, which involved finding somewhere, in the middle of nowhere, to pitch the tent before it went dark, and balancing a trangier with pan of dried noodles set to cook in water that wouldn’t boil quickly because the air around was blowy and cold, and sleeping with your clothes on, as opposed to staying in a fucking wooden construction on a campsite with hundreds of others and drinking Pinot Grigio. That’s called Glamping). We once found 12p down the back of the sofa with which we bought a bag of chips between us from a mobile Fish and Chip van. On one occasion, he went off for a few days with a male friend, camping in October. I had no money, so lived off Marmite drinks for about 6 days, wrapped up in bed against the cold – we couldn’t afford heating – drawing and watching our tiny black and white telly.

Over the years, neither of us have had well paid jobs. Freelance artist is not a secure way to live. Community artist even less so. The 80s was shit, for us at least. The 90s slightly less so. We did live an almost hand to mouth existence. We paid our bills on time, thus ensuring we had little left for luxuries, you know, things like – nice shampoo instead of washing-up-liquid or soap, food that wasn’t ‘My Mums’ brand, meat!

Then as time moved on, I got a ‘real job’, as a tutor on the YTS/ET (Youth Training Scheme/Enterprise Allowance) scheme that the government introduced. Hubby also got a job. We had money, proper money for the first time! We got married. But I lost my job 2 years later due to cutbacks, and the eventual demise of the training schemes.

Since then we have changed jobs a couple of times. Moved home. Had a child. We made a conscious decision to have only one, as that was all we knew we could afford. We rent from a housing association because we can’t get on the property ladder, even on our joint wages.

This is not a hard luck story.

This is a story about a couple of 50-somethings who were made ready for this event. Our age identifies us as Generation X. There’s been a lot on social media from Gen-X recently. About how ours is the survivor generation, the isolated ones, the latchkey kids who everyone, even government forgot. So a double positive whammy for me and hubby – Gen-X artists, who enjoy our own company, who are NEVER lonely, because we have our imaginations to get us through this – what more could one want!?

Lock n Load

My workplace has now closed for an indeterminate length of time. For me, it’s a kind of bliss – I get to write and read books, and maybe do some drawing. I can plan my next D&D campaign, create maps! It’s marvellous. My colleagues who are neither self-motivated nor creative, are already flooding WhatsApp with inane trivia minute by minute. Two days we have been off work! Two days, and they’re already loopy. Don’t get me wrong, I don’t WANT the virus to spread, I don’t WANT anyone falling ill, I don’t LIKE this situation we’re in, all I’m saying is, I’m with the right person, and we’re ready to roll.

Gimme two weeks, two months, hell, I reckon I could handle two years!

So to the creatives out there – writers, artists, sculptors, musicians, dancers, poets, painters, crafters, et al, I say, this is our time. This is the time for introspection, for personal creativity and development. This is when being isolated, or locked down does not mean disaster. It is a chance to show why art; all the arts, are so important.

Because very soon, the rest of the population will begin to realise how vital art is.

When they haven’t been able to visit a cinema, library, concert hall, theatre, museum, gallery, for weeks, they’ll be gagging for it when this is all over!

So get busy now!

Above from left: Paul Costello (courtesy @costelloguitar), The Poet (courtesy Holy Spirit System), Louise Bourgeois (courtesy East Oregonian)


Reboots – Good or Bad?

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Which is your Pennywise?

Definition- ‘something, especially a series of films or television programmes, that has been restarted or revived.’ (lexico.com)

It isn’t a new thing; this remake business. It’s been going on since the beginning of the movie industry’s success. It is an industry that has always ruthlessly utilised anything it can. It’s like an unstable, mammoth beast that constantly needs feeding, whether on new produce or the scraps from others, doesn’t matter – just keep feeding the beast!

The well-known musical, Singin’ in the Rain although a new movie actually used songs from earlier films. They jujjed them up for a new audience and set them to dance scenes. Make ’em Laugh is also a complete rip-off of the earlier Be a Clown.

So what films are you probably going to see remade in the near future?

Ace Ventura – Morgan Creek Productions are definitely looking into it.

Akira – in the works for a live-action version.

Alien Nations – series of new movies is in the planning stages at 20th Century Fox.

An American Werewolf in London – Max Landis, John Landis’ son penning remake.

Big Trouble in Little China – Kurt Russell has given his blessing.

The Birds – supposed to be overseen by Michael Bay’s Platinum Dunes company.

Candyman – a Jordan Peele project in development for 20 years.

Charlie’s Angels – reboot is in the works from Elizabeth Banks of Pitch Perfect 2.

Childs Play – reboot directed by Norwegian film-maker Lars Klevberg.

Clue – Hasbro and 20th Century Fox.

Death Wish, Dirty Rotten Scoundrels, Don’t Look Now, Fantastic Voyage, Flash Gordon and more! The remakes go on and on and on……Personally, remaking Don’t Look Now is the biggest offence.

(denofgeek.com/uk/movies/remakes)

Chances are, you’ve already watched; and enjoyed, remakes of earlier films:

The Thing – 1951, as The Thing From Another Planet, 1982, 2011

It – Bill Skarsgard taking on the role of Pennywise originally played by Tim Curry.

Conan The Barbarian – Jason Momoa in Arnold Schwarzenegger’s role.

Dumbo – The 1941 animation turned into CGI/live-action combo.

A Star Is Born – has been remade 3 times, the latest with Lady Gaga and Bradley Cooper.

A Christmas Carol – more than a dozen versions have been remade from 1901 to the present day.

The Cabinet of Dr. Caligari – originally made in 1920, remade in 2005.

(theweek.co.uk/99568/the-29-most-remade-movies-of-all-time)

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The Thing 1951
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John Carpenter’s The Thing 1982

Undoubtedly, there are remakes that have been successful, both in terms of profit and audience appreciation. La Cage Aux Folles, was a 1978 French movie based on a 1973 play, it was remade by Mike Nichols as The Birdcage; starring Robin Williams. Cape Fear was originally created in 1962 with Robert Mitchum in the role of Max Cady; a wonderful edgy performance. It was later remade in 1991 with Robert De Niro playing a truly terrifying Cady – Mitchum appeared in a cameo as the Lieutenant.

The 1982 remake of The Thing with Kurt Russell, was enjoyed by audiences who had previously seen the black and white version – who wouldn’t want to see some coloured gore?

Some film makers see an opportunity to recreate something that was a personal favourite, or a classic story they enjoy, and to make their own version with updated visuals. How many film versions of the various Shakespeare plays exist?!

Compare the lush visual quality of Francis Ford Coppola’s Bram Stoker’s Dracula with those early Hammer Horror films. I grew up with Hammer Horror, and have a fond sense of ownership of those early films, and for someone to remake one feels like sacrilege. Coppola’s version did allow for the titular character to be abroad in daylight – as was in the original novel, and the costumes were undoubtedly gorgeous, however, the casting seemed very much intentionally geared to bringing the audience in; after all, Anthony Hopkins had the year before completed the hugely successful, Silence of The Lambs – and brought some of Hannibal Lecter with him – the scene in which he meets Mina Harker, he sniffs her!

Bela Lugosi, Christopher Lee and Gary Oldman portraying Dracula.

So is it all about the money? Have the studios really run out of creative ideas?

Mention of a remake of The Princess Bride or Battlestar Galactica, for example, has caused great consternation amongst fans of the originals.

What about the screenwriters who are desperate for a break into the industry, to get their story ‘heard’, to be given a chance? There are thousands of writers across the globe, with fantastic concepts and stories, why are they not being given the chance to make their words into a visual feast?

One might argue that some film makers approach the craft with an artistic bent. They may, for instance, want to pay homage to an earlier director, or writer. They may enjoy creating parodies. But the bottom line for making movies is, let’s be honest, to make money. And if a movie or show was successful for the last generations, why wouldn’t it work for the next?

Many are pointing the finger of blame at Hollywood. Well given that it is the largest and most prominent film industry in the world, who can blame them?!

Me. There are films being made across the world, by all sorts of producers and indie companies. You have to make some effort to seek them out, sure, but they do exist. For instance, how many of you reading this are from English speaking countries? I’m primarily thinking UK and USA here. How many films have you ever watched? How many films do you have in your home? How many of those films are NOT in your own language? I would bet the vast majority of English speakers will stick with their own language when viewing for entertainment.

By profits garnered, the largest industries are to be found in –

USA and Canada

China

India

UK

Japan

English language films make the most, but there is nothing to stop English speaking people from seeking out foreign language films. In the age of the internet, much entertainment is at our fingertips. Think of the success; in the UK at least, of the Scandi/Nordic Noir films and TV shows. I devoured all the shows that hit our TV screens – The Killing, The Bridge, Bordertown, Wallander etc.

I hear people say things like, “But I don’t like reading subtitles.” Waah, waah! Make some effort. Don’t sit like a cabbage on a beanbag and allow a drip feed of sanitised, candied mulch to pass through your eyeballs to brain bypassing your critical centre – which is probably so underused in people by now that we don’t even consider we might be being fooled into believing a thing is good when it is shite! Wake up. Make choices. Choose NOT to go to the cinema to see a remake/reboot. Choose NOT to watch a TV show that was around in the 50’s and is a quick, easy option for the studios.

There are a whole shit load of TV shows also currently in the planning stages of reboots/remakes.

In America there is in the pipeline – Bewitched, The Jetsons, Alf, Daria and Rugrats! In the UK there will be a Christmas return to Gavin and Stacey, possibly a season 6 of the incredibly successful Line of Duty, Poldark: series 5, End of the Fucking World: series 2 and the long awaited Taboo with Tom Hardy. But there is a slight dissimilarity between the American and British reboots – the British TV industry is tagging new stuff onto the end of previous shows; making new series, but the American industry is actually re-making old stuff.

Why?

The American market also has a tendency to take British shows and recreate them in their own image. Almost as though they are using the British market almost as a testing ground to see what is popular with audiences – this does irk many Brits and they feel as though the British TV industry is ‘selling off’ what belongs here; national pride kicks in slowly here. On the other hand, the so-called Snowflake generation, seem to adore these dilute American versions. They have grown up with a media swamped with American influence and it isn’t unusual to them, (true Brits quite often find the humour lacking and infantilised). A very quick scan of lists shows over 100 British shows that have been remade for American audiences.

It does seem as though we are reaching a tipping point. Sure, it might be fun to see Christina Ricci’s version of Wednesday Addams, or de Niro’s Max Cady. It also allows for makers to recreate scenes that may not have been publicly acceptable in past times. However, enough is enough the people are saying. Some things, favourite films and shows, should remain sacred and left alone. People will speak out when they aren’t happy, and my, unquantifiable and non-quantitative, research has shown that the prime country for audience dissatisfaction with it’s film industry is America.

The largest, most profitable industry in the world is failing it’s customers. Hollywood, you seriously need to get your act together (no pun intended). You are a money grubbing, money grabbing, egotistic, inflated, sugar-coated, bloated corpse with little regard for the art of film anymore. The whole industry is a cesspit of greed – who the fuck needs $425,000 – $1,000,000 per episode? (The Big Bang Theory gang!) Yes, we may love these shows, and the characters, but seriously folks – YOU’RE NOT THAT IMPORTANT!

The truth is, reboots/remakes are commercially successful, so that means you’re all guilty of making it the way it is!

People, you need to stop watching stuff that hasn’t been newly written, that isn’t original. In the world of literature, there are literally thousands of new books being published weekly. NEW BOOKS, not rewrites, not copies, new. Give writers a chance. New screenwriters must be desperate, DESPERATE, for work, because no-one is hiring them, because studio executives don’t want to take a chance, because they want to pump out the same old tripe to line their pockets.

I suggest you write to producers, film makers, film studios. Tell them you demand something new. Tell them to get off their fat, padded arses and go looking for new talent. Stop watching the remakes.

Studios, STOP IT! Just stop taking the easy option, stop thinking with your wallets. Make something new and interesting. Put out the call for new writers. Advertise for scripts. Trawl through social media and see what’s trending and maybe you’ll pick up a shiny new talent with fantastic ideas – stop playing it safe.

“So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell: I’M AS MAD AS HELL, AND I’M NOT GOING TO TAKE THIS ANYMORE!Howard Beale in Network

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Peter Finch in Network (1976)

Should I Have A Website?

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Having an online presence seems to be increasingly important for writers. Although I can’t imagine Beatrix Potter or Joseph Conrad would have had much truck with all this social media and self-promotion.

The anatomy of a Blog

Unlike many bloggers, I am not efficient nor consistent in my posts, it has been what, five weeks since I last updated? Shocking. But they are are a fantastic way of sharing information and opinions, and they can be a great tool for starting debates and conversations; if that is the way your blog is written. Blogs tend to be written in a chatty or informal style, or at least mine do, and often reveal something about the personality of the blogger.

Lately, I have been considering the idea of setting up a website – as somewhere to promote my books. The website also needs attention once it is set up, but not as much. One could liken the blog to an allotment – it needs regular tending and maintenance, whereas the website is akin to a meadow – it might need a little mowing or sowing now and again.

If I did decide to use a website, I imagine this blog would sink slowly into the sunset as I’d not be able to divide my time between work, writing, blogging and the website – so what to do?

The anatomy of a Website

Websites tend to follow a standard format, not dissimilar to blog pages as far as I can tell, in that they have a Homepage/About page, a Contact section, and Products and Services; though these may be incorporated within the body of a post on Blogs.

And which sort of website set-up would I use?

Content management system (CMS) – Is a system designed to support the management of the content of web pages. You can easily manage text and embedded graphics, photos, video, audio, maps, and program code (e.g. for applications) that displays content or interacts with the user.

Self set-up involves lots of skills, such as being able design and code. Although it might be the cheapest option in the long term, it might be time consuming; and in my case as someone with little IT competence, almost impossible.

Website/blog builder service – a program, or tool, that helps you build a website. The programs are very user friendly and use a WYSIWYG (What You See Is What You Get) interface with drag and drop elements.

For authors to best showcase their products and give full details of WIP (Work In Progress) they are better off setting up a website. But what are the different Pros and Cons of Websites and Blogs?

Using a free Content Management System (CMS)

Pros
Flexible
Advanced features
Easy to publish
User friendly
Usually includes hosting and free for basic websites
Content can be updated rapidly
Cons
Regular updates are required to make the site safe from hackers
The CMS stores everything separately, then assembles it on the fly when the web client requests a page, which means they can be slow

Doing all the setting up yourself

Pros
Cost-effective
Total Flexibility
Easy to publish
Cons
Time consuming
Requires design skills
Requires coding skills

Using a website/blog builder service

Pros
You don’t need any coding skills
You don’t need any design skills
Quick turn around
Easy to publish
Usually includes hosting and domain names for a premium cost
User friendly: WYSIWYG (What You See Is What You Get)
Cons
Usually comes with strings attached
Less flexibility
Expensive

After ploughing through the possibilities; which reduce drastically the less computer literate a certain person might be (!), there is then the problem of choosing a…

DOMAIN NAME

When I first started using computers and the website came of age, this word suddenly entered my world. What on earth is a Domain Name? I wondered. It sounds, still, like something from a Dungeons & Dragons quest: The Domain of Uglith The Mighty!!

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Image from Forgotten Realms.

Simply, a Domain Name is a web address, like: mywebsite.com. If you’re not using a web builder service, you need to register a domain with a company that sells domain names, apparently! Not only that, you have to pay for it! If the name isn’t available, you have to try for another one – so I have read. Does this mean that I can’t make my own up? I couldn’t locate that information…in all honesty, I got bored reading yards and yards of text. What I did pick up was to make your domain, Catchy, Unique and Easy to Remember.

Then there is the issue of Hosting.

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Note: I’m sure you can see a pattern beginning to develop here. Information and explanation becoming less cohesive and explanatory as I progress. If you’re familiar with my blogs, then you’ll understand – I am simply not built for the Information Technology Age. Anyway, back to Hosting. It’s not about wearing red velvet smoking jackets and regaling your guests with tales of derring do. Rather it’s something to do with computers called ‘Servers’, which run operating systems, store files and connect to the internet. They are designed to be open to the public so browsers can access web content. ‘Hosting’ refers to the company that rents space on one of their servers so they can ‘host’ your site there.

Some things I have to consider – so I am told.

  1. What type of website do I want to create?
  2. What will be the technical requirements of the website?
  3. What level of security do I require?
  4. Do I need email hosting?
  5. How large is the data I will be storing?
  6. What volume of traffic do I initially expect? And in the future?
  7. What’s my monthly hosting budget?

To all of the above, my answer is a consistent, I don’t know!

But I have collected some Top Tips to keep people engaged in your website:

  1. Have clear navigation – if it’s not clear, people will get frustrated and leave.
  2. Use call to action buttons – helps lead people to desired actions.
  3. Make sure your site is loading quickly – humans are impatient creatures.
  4. Keep it minimal – too much design is distracting.
  5. Keep the same look and feel throughout – a ‘brand’ identity is visually more appealing.

It all seems like a lot of hard work. I’m lazy by nature and will try to get away doing as little as possible. But, I feel on the cusp of progressing with my writing. It needs a home of its own, something that can ‘look after itself’ so to speak.

So…

Should I Have A Website? I haven’t got a Scooby Doo!

Merry Booking Christmas…

So, this will be the final post for 2016. I am going to take a break from ‘social media’ during the Christmas period, starting after this post.

It has been an up and down year as regards my writing. I had three short stories accepted for publication; e-magazines and actual paperbacks, I completed a novel (100,740 words) that I had begun in 2014, and submitted it for consideration (awaiting response!) And also completed a story for Wirral Writers anthology (5,000 words) plus two poems – that we will be publishing early 2017. I had six rejections and am still awaiting to see if four other submissions have made the grade. I joined National Novel Writing Month, reaching the 50,000 word target, thus securing myself a certificate (that I couldn’t print my name on as it’s a PDF) and the knowledge that I can work without distraction; sort of!

It isn’t complete yet, that NaNoWriMo story; 50,000 words does not a novel make.  Chuck Wendig – terribleminds blog – has some great stuff to say about NaNo and writing in general; http://terribleminds.com/ramble/2015/10/27/why-you-should-do-nanowrimo-and-why-you-shouldnt/

I’ve lost count of how many word counts I have done ,and  worrying that I haven’t written enough words, or too many; how on earth am I going to cut that 13,000 down to the requisite 7,000? I am beginning to realise – I am a writer, this is what I do. Oh sure, I have a day job (a real job some might say). I used to be a painter – no not houses, a real painter! Did I sell stuff? Yes I did. Did I make a living from it? No I bloody well didn’t. And it looks like writing will be the same. I know quite a lot of writers now, in fact, I know more writers than I ever did visual artists, and none of them is wealthy. NONE. The world is not really geared towards creative types; unless you create a sit-com (preferably American!), an advert for silky legs or yoghurt that’s great for your gut bacteria.

But it’s the continuous trying that makes us what we are, not the fails, in the words of Michael Jordan, Sportsman:- “I’ve missed more than 9000 shots in my career. I’ve lost almost 300 games. 26 times, I’ve been trusted to take the game winning shot and missed. I’ve failed over and over and over again in my life. And that is why I succeed.”

 

Oh, so it’s all about money?! I hear you say. No, it isn’t. I would be delighted to have a book published by an actual publishing house. I’d wet my pants if it got turned into a movie! The acceptance of my creativity is far more exciting and important than mere pounds, shillings and pence – but it would be lovely to have some! I look forward to writing something that I myself knew was as good as J.G Ballard or Tim Powers or Angela Carter, that would be this writers dream. Most of all though, creative types have heart, and that’s worth more than any cheque.
So, next year, keep writing, keep submitting and hoping and praying…

Maybe Father Christmas will bring me ‘genius’ for Christmas, or ‘excellence’. I never got ‘excellent’ at school – for anything. Maybe some publisher will take pity on me and give a  generous contract! (And if it doesn’t happen, I might go all Hellblazer on them)  Next year, maybe next year….

So in the words of a fictional character, “God Bless us, everyone!” (I just threw up a little)

And in the words of Bob Hope, “If you haven’t got any charity in your heart, you have the worst kind of heart trouble.”

Success is marked by your inner self, not stuff. In that respect, I have had a remarkably successful year. (By the way, you can feel all fuzzy and warm if you buy books, that way, you keep authors alive!)

Wishing you all a very Merry Christmas and a Happy, Peaceful New Year,

A x

 

*set image: John Constantine from Hellblazer.

 

 

Advice I should Take Myself

Some snippets now, on how to be a better writer. There are so many people out there writing, it just makes it harder for editors/publishers to sift through the nonsense.

I grew up in a time when it was considered okay to be a winner, and that therefore there would be losers. I studied sculpture at university, but my degree means nothing; who needs artists when we have the TV and cinemas?!

Now, however, everyone can be a bloody artist! We all have the right to be creative and then force our dross onto others. I’m just hoping that my dross is better than other peoples.

So, what do the ‘real’ writers advise us?

  1. Elmore Leonard – “Never use a verb other than “said” to carry dialogue. The line of dialogue belongs to the character; the verb is the writer sticking his nose in. But “said” is far less intrusive than “grumbled”, “gasped”, “cautioned”, “lied”. I once noticed Mary McCarthy ending a line of dialogue with “she asseverated” and had to stop reading and go to the dictionary.” Sadly, I am guilty of this.
  2. George Orwell – “Never use a long word when a short one will do.” Again, feel the need to impress much?
  3. Stephen King – “If you want to be a writer, you must do two things above all others: read a lot and write a lot.” Okay, so I get a gold star for this one.
  4. Michael Moorcock – “I always advise people who want to write a fantasy or science fiction or romance to stop reading everything in those genres and start reading everything else from Bunyan to Byatt.” A silver star for this one, beginning to avoid the kind of writing genres I write.
  5. Will Self – “Always carry a note-book. And I mean always. The short-term memory only retains information for three minutes; unless it is committed to paper you can lose an idea for ever.”
  6. Anton Chekov – “Don’t tell me the moon is shining; show me the glint of light on broken glass.” Ah, the poetry in prose, I’m rubbish at poetry, I try, but I am aware of how incredibly difficult an art it is. Poetry is the Tai Chi of writing.
  7. Neil Gaiman – “Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” I joined a local writers group, very useful for getting this required feedback.
  8. PD James – “Read widely and with discrimination. Bad writing is contagious.”
  9. Paul Theroux – “Notice how many of the Olympic athletes effusively thanked their mothers for their success? “She drove me to my practice at four in the morning,” etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home.” At my age this is not applicable, I left home 33 years ago.
  10. Oscar Wilde – “Consistency is the last refuge of the unimaginative.”

I didn’t want to put too many down here, I’m sure you can go research your own. I just thought I would share some hints and tips I try to work by, try being the operative word.

Now, go out and write!!

Writers write about rights: EU Referendum

I would not describe myself as a political animal, but sometimes I just have to say my piece. But despite being a writer, I actually find in difficult to voice my political ideals and opinions, to formulate arguments without sounding like a simplistic child saying “But why mummy?”

Instead I have collected some wordsmiths together, to voice their opinions; which strangely, correlate to my own. Best of all are the letters ‘Dear Britain’ from the Guardian, written by 10 writers and thinkers from France, Sweden, Germany and more. I have to admit, a couple brought a tear to my eye.

It reminded me of that film, Contact, starring Jodie Foster; when she travels to the other place (I don’t want to give anything away to those who have not seen it yet), she says:

                                             “They should have sent a poet.”

Irvine Welsh writes, in The Guardian (online): However we vote, the elites will win the EU referendum

“One cast-iron guarantee in our polarising age is that this unedifying chauvinism is only going to get uglier. The other certainty is that whether you back red or black in the tawdry, crumbling casino of neoliberalism, and whatever the slimy croupiers of the mainstream media urge, it’s the house that invariably wins.”

https://www.theguardian.com/commentisfree/2016/may/30/eu-referendum-neoliberal-irvine-welsh

 

J.K Rowling writes:  On Monsters, Villains and the EU Referendum

“… how can a retreat into selfish and insecure individualism be the right response when Europe faces genuine threats…”

http://www.jkrowling.com/en_GB/#/timeline/on-monsters-villains-and-the-EU-referendum

 

And finally. Also in the Guardian: Dear Britain: Elena Ferrante, Slavoj Žižek and other European writers on Brexit. These European authors tell us what they think about the possibility of the UK leaving the EU. It is heart warming, truly.

https://www.theguardian.com/books/2016/jun/04/dear-britain-letters-from-europe-referendum?CMP=share_btn_fb#_=_

 

Who has the time to promote their work?

You know, when you write (or try to write!) sometimes the last thing you want to do, is write some more, sounds strange I know but bear with me.

As a visual artist, what I was interested in was art; I painted pictures. Although I trained as a sculptor, I had to adapt simply for the sake of time and space. We; my then boyfriend now hubby, lived in a three up two down, with the landlord. We’re both artists, so making life-size sculptures was, as you can imagine, near impossible -having bags of clay and plaster around someones else’s house is not a good idea. So I decided to train myself in painting. (*Just as a matter of interest; I took my degree in the 80s – when no-one really taught you anything at Uni.) It might sound peculiar, but when you do an art degree, it is subject specific within the subject of art; so the painters painted, the printers printed, the sculptors welded metal, hacked at plaster and formed clay – and we rarely, if ever, crossed paths.

To begin with, I thought painters had to work in oils. What a tragic mess! I could draw well, but once the paint hit the canvas, it was a mud bath. Then I discovered these wonderful things called ‘acrylics’. Hear the opening chorus ‘Hallelujah!’ And I was away. I was very influenced by my own emotions, but history, mythology, legends and books too; The Master and Margarita‘ by Mikhail Bulgakov, ‘Nights at the Circus‘ by Angela Carter, ‘The House of the Spirits‘ by Isabel Allende, all fed my chaotic, colourful, fragmented mind-set.

I painted every day, and I mean every day, had exhibitions, formed an artists support group, sold some work, blah, blah, blah – yes you visual artists out there know exactly where we’re going with this. A sale of £300 a year ain’t going to feed you – so you get a job. You have a kid. And it’s au revoir painting time.

The point I am trying to make is; artists, writers, musicians, whatever creative type, do it because that is what they are good at, it isn’t a job, it is more a way of being. It is a particular form of communication that we use. I painted because I couldn’t write. That was my language and I was fairly good at it. I didn’t want to spend time promoting it. There was no internet then, all images were on slides (now lost) or photographs (also, many lost) and so without touting your work, networking (I hate that word), getting out of your studio/bedroom/garret/whatever, no-one knows about you. You could be the finest artist in the world – but if you don’t make the effort to put it out there, who knows the work exists?

So, now I write, have been writing for just about 4 years now. And what do I know about promotion?! Squat.

I write practically everyday. I write short stories, novellas, poetry, plus – I blog! Blogging takes up time that has to be factored into the creative and promotion equation too. I have a job that takes up four days a week. My child is independent and away at university, but now there are ageing parents and in-laws. When am I supposed to promote my writing?!

And that is what I mean when I said at the beginning,  when you write (or try to write!) sometimes the last thing you want to do, is write some more…

On top of that, technology has moved on soooo fast in the past few years, and as a person of ‘maturer’ years, it’s a slog learning it, never mind keep up with it. SEO – Search Engine Optimisation, in my day would have meant searching for a car with the best engine in it! Blog – short for Weblog, only came about in 1997! I was thirty two and a new mother!! Facebook began in 2004, and Twitter in 2006. Sometimes I feel like I’m on the Circuit de Monaco on a go-kart…

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Sometimes you just gotta bite the bullet and get on with it.

Now here comes the promotion – Sticks and Stones is my collection of short stories about witches and their craft. You can buy it on Amazon. No, really. And at only $5.50 PB or $2.79 Kindle, that’s magic! (sorry, couldn’t resist)

“A compact collection of well-crafted short stories on the theme of witches and witchcraft. There are some graphic and quite uncomfortable stories in this collection, but the vivid use of language makes it a very entertaining read. For me the stand out stories include Passing On, a chilling and disturbing first person account of medieval a witch trial; the vivid and poetic Sticks and Stones; and probably my favourite, the heart warming tale, Rescuing Robert.” M. Wood  Sticks & Stones

If you are not a creative type, you may not be able to understand how much reviews mean to writers, and how uplifting it is when someone likes your work. It is a self-published book, so what? I wrote it, it’s my creation and this review makes me proud. So, if you want to get something for someone this coming Mothers Day; if she is a writer, give her a great review. If she is an artist; promote her work for her. If she sells online; help promote and Favourite her work.

And if you want to be nice to me! Write a review of my stories!

I thank you

 

(Originally written < GMT = June 2016> updated 22nd February, 2018,/17:23> )