The difference between an essay, a report and a story. In brief…

What’s the difference between an essay, a report and a story?

I see this question a lot from people in secondary school, Further Education colleges, and even University students! I’m talking about UK students, I believe elsewhere they teach the difference quite early on. When I was in school – back in the 1970s and 80s, the English teacher would set an essay writing task – what she meant was – write a story. So I never learnt until late adulthood what the difference is. I’m not an academic, so this is going to be basic…

A very brief run-through of the differences.

First off, they’re written in different styles. Essays and Reports tend to be written in a formal, academic style with attention to grammar and spelling. While a story is a sequence of real or, most commonly, fictional events told in any manner that the author chooses.

A report is a summary of an event and an essay explores a particular issue or subject. Both start with an introduction, body with discussions and/or analysis, and finally a conclusion. The main difference is purpose; an essay presents writer’s personal ideas and opinions, a report provides unbiased information.

Basic lexicon of related words –

Essay: describes, analyses, evaluates, combination of facts, statistics, personal opinions, descriptive, narrative, argumentative, persuasive, and expository.

Report: systematic, well organised, defines, analyses, provides information, sections, headings, and sub-headings.

Story: narrative, novel, short story, novella, plot, characters, genre specific, entertaining, aesthetic, creative, tale, chronicle, dramatic.

See the same event in these three examples below:-

Story Extract –

The Life and Crimes of Lockhart & Doppler: A Journal of Amusement, Adventure and Instruction

‘We came to a narrow tributary of the Amazon River, about eight feet across, dotted with floating islands, clumps of debris washed downhill with the rains. Raising our packs above our heads we waded. Something glided just beneath the surface; I halted so as not to draw its attention, Daniel squealed as it touched his thigh. Things gibbered above us in the overhanging branches, creaks and croaks resounded all about. We crossed three more tributaries before the end of day.
Exhausted and soaked in foul smelling swamp water. With the fauna of the forest reduced in our wake by; four stabbed snakes, a shot river dolphin, two blasted parrots, an incapacitated capybara, an assaulted alligator, numerous leeches burnt and a frog that popped when Daniel stepped on it, behind us, it was time to take it easy.
On (relatively) dry land, we made camp for the night. Whilst I cleaned my blades and blasters, Doppler did whatever one did to bright blue frogs to coax some venom from them, Daniel made
tea; and jolly good it was too,
“You’ll make someone a lovely wife one day Daniel.” Says I with a wry smile.’

 

Essay version –

Although not mentioned within the body of this particular extract, we can glean the narrator’s name from the title of the book. Lucy Lockhart, renowned treasure hunter, and her assistant, Theodora Doppler have arrived in the Amazonian jungle with cartographer, Daniel.

They cross a series of tributaries en route to their destination. Lockhart describes the area as being difficult terrain that the party need to wade through, with unknown things gliding beneath the surface of the water, small islands of earth, and animals in the surrounding environs. Daniel – whom Lockhart has previously described as ‘a lily-livered clerk’, is evidently extremely uncomfortable in this environment. The party have during their progress, killed or maimed a number of animals, including a river dolphin. Although this is a short section from a longer tale, one could surmise that this is not an unusual situation, for at least one of these characters, to be in. They are kitted out for travelling; otherwise, mention would be made of the inconvenience of attire in the circumstances. No-one in the party truly complains, or seems surprised by the ‘foreignness’ of the situation – the names suggest that these are all English characters.

One might argue that Lockhart has a blasé attitude to her comrades as well as the flora and fauna hereabouts. She does not speak of the beauty of her surroundings, only the death left in her wake. It could also be said that she has an Imperialistic indifference to animals and people. The party eventually find some dry-ish land to rest and recuperate on. The cartographer is once again the butt of Lockhart’s teasing, as he makes tea for the party.

In conclusion, one could surmise that the narrator; Lockhart, is if not enjoying the situation, relishing the discomfort of one companion; Daniel. We get the impression that she is unconcerned for the welfare of wildlife and this does not sit well with a modern audience. She is, however, determined, skilled with weapons, so capable of looking after herself and has a sense of humour.

 

Report version –

A trio of adventurers are on some sort of quest in the Amazonian jungle. From this extract, we cannot determine what it is they seek, nor how long they have been here. We do know that they cross a number of tributaries on their journey, so the terrain is not easily navigable. We have no way of knowing how the characters are related, nor what their relationships are like. The main character; the narrator, refers to one by her surname; Doppler and the other by his first name, Daniel. This might suggest that the relationship between the two women is stronger than that with the male, as females rarely refer to themselves or each other by surname.

Lockhart

Though unnamed in this extract, Lucy Lockhart is the narrator, the protagonist of this adventure. She is clearly the leader of the party, as the other two characters follow her, and she is skilled in using various weapons – as evidenced by the killing and maiming of a number of creatures – some of which we might assume she has dispatched herself. At the end of the passage, the narrator is cleaning her blades. This tells us that she carries a number of knives, or swords, about her person. Her description of the animal slaughter – ‘stabbed’, ‘blasted’, ‘incapacitated’, ‘assaulted’, suggests a level of humour on her part at the demise of such creatures. The fact that she likes to tease Daniel, the cartographer, also gives us a small insight into her personality – which leads one to question the agreeableness of this character.

The Amazon

The party reach a tributary in the Amazon River – a tributary is a river or stream flowing into a larger river or lake. We know that it is eight feet wide and is ‘dotted with islands’. There has been a heavy rain at some point in the near past, as we are told that there is debris from uphill. The Amazon contains a wide variety of animals including capybara, parrots, alligators and snakes, among other things. There are also unseen creatures living in the trees, as evidenced by, ‘Things gibbered above us in the overhanging branches,’ Even though this is a tributary of the main river, we know that it is fairly deep, as the party must carry their belongings over their heads to prevent equipment from getting wet.

Doppler

There is little mention of this character in the passage. What we can glean is that she is intrepid – otherwise she would not be on such a venture, and she is skilled in poisons. At the end of the passage, she is trying to extract poison from small frogs. From this, we might conclude that she A) knows about animal poisons, and B) has used poisons in the past. One might further conjecture that this tells us that Doppler is either a medic, a collector, or quite simply – a poisoner.

Daniel

There is very little information about this character; however, we can speculate that he is not comfortable in this environment. He is probably frightened of the wildlife, ‘Daniel squealed as it touched his thigh.’ He also makes a good cup of tea; Lockhart comments on it, whilst simultaneously taking a sideways swipe at his manhood.

We might conclude from this extract that the tale is not set in the present day. The narrator carries bladed weapons and at least one gun, which she refers to as ‘blades and blasters.’ This is not parlance from the 21^st century, neither is ‘Says I…’ The narrator is clearly sexist from a contemporary reader’s point of view, otherwise she would not use the phrase “You’ll make someone a lovely wife one day Daniel.” In our 21^st century society, there is little issue with stay-at-home husbands. In addition, the narrator’s attitude towards killing animals is not commendable, from a modern standpoint. We do not condone the careless destruction of wildlife to suit our own means, and none of the characters seems disconcerted at their demise.

 

I hope this has been of some use, to someone, somewhere.

 

Should you be at all interested – The Life and Crimes of Lockhart & Doppler: A Journal of Amusement, Adventure and Instruction is available on Amazon https://www.amazon.de/Life-Crimes-Lockhart-Doppler-Illustrated/dp/1723026891

 

Steampunk Collection

The Life and Crimes of Lockhart & Doppler

Steampunk Adventures

I forgot to mention – This:

A book, I wrote!

The Life and Crimes of Lockhart & Doppler: An Illustrated Journal of Amusement, Adventure and Instruction 

It’s got treasure hunting, monsters, strange aliens, alternative history, it’s got dashing young men, a ballsy woman with a dangerous ‘side-kick’! It’s got pictures – well, a couple.

It’s pulp fiction, penny dreadful. It’s 12 stories starring the titular Lockhart & Doppler, who travel from Lancashire to France, South America, North America, Saxe-Coburg, Italy and Somaliland!

Grab a copy now! (You could always use it to line the cat’s litter tray!)

Extract:

I stood on the drive smoking a cigarette, taking in the cool evening air and disparaging the stiflingly formal gardens. At a sound behind me I turned. Lord Nelson Orange stood about five feet away. I looked at what he held;

“An 1860 Tesla ray gun with delayed action paralysis release bullets, explosive heads an added option – why is it pointed at me?”

“You know,” Nelson Orange said, “at first I wasn’t sure what about you drew my attention, then I realised it was exactly that, you’re designed not to draw attention. Very subtle, playing the slightly dull mother-in-law to be and melting into the background. But how many mothers would leave their daughter in the company of strangers?”

Damn! I thought.

“Then when I looked for you again at the buffet, poof,” he made a motion with his free hand, “You were gone. And grandmamma left in the corridor? Tut, tut.”

“Lord Nelson,” I continued with the ploy, “I’m sure I don’t know what you’re talking about.”

“And there’s another thing, your accent, doesn’t quite fit, no breeding you see, one can always spot a lack of breeding.”

“I beg your pardon?!”

“Very good ma’am, keep at it.” He lowered his chin and gave me a chilly smirk.

 

Created and only available on FeedARead.com

 

L.A.G. Lockhart

 

 

Edit, Compile, Publish???

I am currently editing and compiling a series of my own short stories.

No! No more editing, I can’t take it anymore!

They were begun in 2014, when I first became involved in the world of Steampunk, and continued until 2016. Initially posted on a, now closed, blog the first story having been published in a Steampunk magazine also, I have decided to compile them all into one volume.

The stories are based on the characters that my daughter and I assumed as part of the ‘costume’ for events, gatherings and annual Asylum Festival. These events involve people from all over the country, and in the case of The Asylum Festival, the world, dressing up in faux Victorian clothing; often hybridised from various literary characters, films, Industrial mechanisms and so forth.

This is not ‘serious’ literature – and was never meant to be; more a romp through various countries and continents with varying degrees of success. Lucy Lockhart and Theodora Doppler are a pair of adventurers, aka thieves, who collect treasures ostensibly for the Royal Society in London; think Harry Flashman crossed with Indiana Jones in female form! It is pulp fiction (no, not the film), in the style of the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century

The issue I have is that over the course of a writing career – especially at the beginning, one’s style and skill changes and grows – the earliest pieces reflect this, and can be seen as the development of these skills.

But do I publish? Of course, no actual publishing house is going to want to publish a set of stories about a philandering, thieving, amoral, (sometimes murdering), woman, set in an alternate 19^th century, so it will be a self-published project – if it happens!

Pulped fiction

First Time Interviewed

Author and fellow contributor to Game Over, Simon Bestwick, is conducting a series of interviews with the authors of said anthology.

The Lowdown with… Alexandra Peel

Today’s Lowdown continues to shine a spotlight on the contrbutors to GAME OVER. Today’s victim is… Alexandra Peel. Alexandra is a visual artist turned author. She has a degree in Fine Art, Sculpture and has been a freelance community artist, painter, graphics tutor and book seller; she currently works as a Learning Support Practitioner in a F.E./H.E. college. The author of The Unsinkable Molly Brown, a pirate adventure for children, she has also created a series of Penny Dreadful style stories under the heading, The Life and Crimes of Lockhart & Doppler, about a pair of miscreant treasure hunters based on hers and her daughter’s Steampunk alter egos. She is a member of Wirral Writers and can be found on Twitter and at her blog.
1.        Tell us three things about yourself.
I hate pulses; I have a kind of horror of the ‘gritty’ texture of beans, especially baked beans. When I was a toddler, my father –in his wisdom as a new parent – made me eat a bowl of vegetable soup; I threw up all night and my mother forbade him from forcing me to eat vegetables again. So I grew up eating all my veg raw – carrots, cabbage, swede, etc. I have a black belt in Tai Kwon Do, hard earned as I am rather heavy around the ‘beam-end’. I harbour a secret fantasy that I am actually not my parents daughter.
2. What was the first thing you had published?
When my generation was growing up, parents were very hands off in their child rearing. I spent a lot of my early years alone in the back garden, or in the shed. I loved the shed, it smelt like an ironmongers shop. Here I drew a picture on a blackboard of a horse and a girl. My mother, when I showed her, sent me away to write a story about it – she was too busy doing laundry to appreciate my emerging talents! ‘The Princess and the Pony’ was printed in that week’s edition of the Liverpool Echo.

3. Which piece of writing are you proudest of?
I wrote a story (unpublished) called ‘Beneath the Skin’. Set in an alternative 19^th century. I began it at a writing workshop run by Sam Stone at Lincoln Asylum, Steampunk weekend. It began with an idea of a serial killer and grew into two parallel stories that contrast then collide. It is my first full length novel.

4.        …and which makes you cringe?
Lots. I’m relatively new to this. I’m learning. I tend to get over excited when I’m ‘on a roll’ and forget all about the technical aspects of the English language; I string lots of adjectives together like a badly made, colourful bunting.

5.  What’s a normal writing day like? I don’t really have one. I have a ‘real’ job which takes up four or five days a week, however, it is part-time. Sometime I write for hours for days at a time, other times I do a short story and leave it at that. I am quite possibly the most undisciplined person in the UK, I’m naturally lazy. I carry little notebooks around with me to scribble ideas in; my work bag was stuffed with torn strips of paper at one point, collected over a period of weeks, I had to collate it all together – and then I ignored it for another few weeks.

6.Which piece of writing should someone who’s never read you before pick up first? I reckon a visit to my Blog. The stories are short, accessible and, like candy floss, require little effort of the part of the consumer. All the stories are about the same two characters – Lucy Lockhart and Theodora Doppler – a mother and daughter treasure hunting duo. Set in a ‘Steampunk’ alternate 19^th century, Lockhart and Doppler are miscreants, opportunists and serial bed-hopper in the case of Lockhart. Frivolous fun in the style of the Penny Dreadful.
7.        What are you working on now?  A couple of things at once – I have the mind of a butterfly. A short story for an online submission about being stranded on a desert island. A 500 word piece for the writing group I am a member of – Wirral Writers – which I am struggling with, we get given a title, or a sentence, or selection of disconnected words and have to come up with something along those lines. Another story about Lockhart and Doppler for my blog. Plus, the second part of ‘Beneath the Skin’.

http://simon-bestwick.blogspot.co.uk/2015/08/the-lowdown-with-alexandra-peel.html