Desert Island Flicks

Desert Island Discs is a British radio programme broadcast on BBC Radio 4. It was first broadcast in 1942. The concept is, that each week a guest; someone famous or is a person of note, called a ‘castaway’ during the programme, is asked to choose eight recordings (usually, but not always, music), a book and a luxury item that they would take if they were to be cast away on a desert island, whilst discussing their lives and the reasons for their choices.

I decided to run my own ‘Desert Island’, but with movies.

As an avid film viewer, I have found this quite a challenge. I have seen plenty of movies that I really liked, but would I want to be stranded on a Desert Island to watch them over and over again? Which films bear repeated viewing? Which films have enough content, appeal or personal resonance that one could stand to watch over and over again?

I am sure that should I return to this in, say a year, I would alter my selection somewhat, but for today, these are my eight ‘recordings’:-

  1. The Good The Bad and The Ugly
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Hey Blondie!

Stars: Clint Eastwood, Lee Van Cleef and Eli Wallach.

Director: Sergio Leone.

Genre: Spaghetti Western (so called because this genre of Westerns was produced by Italians).

Released: 1966.

Why watch it: Fantastic film shots of landscapes and close ups; especially in the final showdown. Terrific action and storyline – 3 gunslingers are after buried gold. Fortune swings back and forth between the characters, when one has the upper hand, he makes sure he gets the most out of the other one. The soundtrack is brilliant too, I always ‘sing’ along!!

Favourite line: “Who the hell is that? One bastard goes in, and another comes out.”

https://www.youtube.com/watch?v=09-GbpOd9T4

 

  1. Amelie (aka; The Fabulous Destiny of Amelie Poulain)
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Amelie’s discovery is a life-changing moment

Stars: Audrey Tautou, Mathieu Kassovitz,

Director: Jean-Pierre Jeunet

Genre: Romantic Comedy

Released: 2001

Why watch it: Romance without the ‘yuck!’ factor. Whimsical, delightful, extremely touching in parts. The way Amelie takes ‘revenge’ on unpleasant people. And the music; it still stirs my emotions. Keep an eye on the garden gnome!

Favourite line: “Narrator: Amélie still seeks solitude. She amuses herself with silly questions about the world below, such as “How many people are having an orgasm right now?”[scenes of various orgasms taking place] Amélie: Fifteen.”

 

  1. The Fearless Vampire Killers (Dance of The Vampires)

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Stars: Roman Polanski, Jack MacGowran, Alfie Bass,

Director: Roman Polanski

Genre: Comedy Horror

Released: 1967

Why watch it: Definitely not your usual vampire film. A truly successful blend of horror and comedy, with beautifully shot scenes. Professor Abronsius and his young assistant, Alfred, are on the hunt for vampires, across snowy landscapes ‘deep in the heart of Transylvania’ to a remote castle. The physical moments with no dialogue are beautifully choreographed.

Favourite line: “…like a little birdy alighting on a branch…then, let an angel pass. Shall we allow an angel to pass?”

https://www.youtube.com/watch?v=you86-CKNtI

 

  1. Radio Days
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Joe’s new teacher is a delight!

Stars: Danny Aiello, Mia Farrow, Seth Green

Director: Woody Allen

Genre: Comedy

Released: 1987

Why watch it: Jewish screen family life at its best; a view of the world through a young boys eyes and the medium of radio; stories within stories and the effects on the listeners. The scene with the two burglars is brilliant.

Favourite line: “No. Have it your way. The Pacific is greater.”

 

  1. Pirates
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Head or tail? Of the rat dinner…

Stars: Walter Matthau, Cris Campion

Director: Roman Polanski

Genre: Adventure Comedy

Released: 1986

Why watch it: Polanski actually had the ship built for the movie! Matthau, I think, is at his very best in this little known/shown film. Captain Reds lust for gold knows no bounds, and the whole film is a series of ploys to get particular pieces of gold – in particular, a Spanish throne. All the characters are wonderfully portrayed, pirates, naval officers, priests – the game of ‘Dead Man’s Nag’ is both hilarious and brutal.

Favourite line: “Well Padre. I once had a mind to eat the Frog.”

 

  1. Wild at Heart

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Stars: Nicholas Cage, Laura Dern, Willem Dafoe

Director: David Lynch

Genre: Thriller/Romance/Indie

Released: 1990

Why watch it: For its bizarre mixture of raging violence, dream scenes, illusions to Elvis Presley and The Wizard of Oz – true Lynchian oddness wrapped in what initially appears a ‘regular’ thriller. There are some truly disturbing characters in this film – be warned!

Favourite line: “This whole world’s wild at heart and weird on top.”

https://www.youtube.com/watch?v=nf0rKQkvh2c

 

  1. Leon
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Just keep walking, don’t look back…

Stars: Jean Reno, Natalie Portman, Gary Oldman

Director: Luc Besson

Genre: Thriller

Released: 1994

Why watch it: For one of the most beautiful relationships shown on screen. The 12 year old Mathilda finds herself in the ‘care’ of Leon, a hitman; but who is the child? This is at times, an extremely touching film, how does a man who kills for a living take care of a child? Scenes with his little potted plant reveal that Leon is not heartless, or a cold-blooded killer, there is something else in this taciturn man. Portman is absolutely excellent as Mathilda, the orphaned girl who grows up fast.

Favourite line: “The rifle is the first weapon you learn how to use, because it lets you keep your distance from the client. The closer you get to being a pro, the closer you can get to the client. The knife, for example, is the last thing you learn.”

 

  1. Spirited Away

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Stars: Rumi Hiiragi, Miyu Irino

Director: Hayao Miyazaki

Genre: Anime fantasy

Released: 2001

Why watch it: Miyazakis’s first anime is arguably his finest. A feast for the eyes, with a beautiful plot reminiscent of a good old style fairy tale. Follow Chihiro into the magical town where spirits take baths and give gold to the greedy.

Favourite line: “There must be some mistake! None of these pigs are my parents!”

*

These are all films I own on DVD, I have watched many times and will watch again. I could have chosen pretty much any Allen or Polanski film; I have been a huge fan since early teens. Same with David Lynch although I don’t fancy being stuck for too long on a desert island with some of his characters or scenes in my head!

What would you take if you could only choose 8 movies? Have you seen any of the one’s on my list?

Film Review: Baby Driver

Written, Directed and Produced by Edgar Wright

**Spoilers**

I like to think I’m fairly familiar with the work of Edgar Wright, I first watched his work in the TV series Spaced which he directed in 2001, and just fell for his quirky, cross-cutting style. The opening scene of Spaced is excellent; the two sets of dialogue between Tim and Daisy I think has yet to be beat.

EW Spaced 2001

Other films include, (as writer, director or producer), Attack the Block, Shaun of the Dead, Hot Fuzz, Scott Pilgrim versus The World and The Worlds End.

Anyway, to Baby Driver.

This is essentially a romance story – boy meets girl, boy tries to get out of debt with criminals, boy does one last job…

Does he get the girl? Watch the film!

There is good balance of action, dialogue and drama; often directors today get so excited by new toys/technology, that they fill the screen with eye-watering action top to bottom, left to right, continuously; to the detriment of any plot there may have been. Wright tells us a story, which is how it should be, after all, movies are just another form of storytelling, and he tells it well, through the driving, through the lines;

Buddy: Is she a good girl? You love her?

Baby: Yes, I do.

Buddy: That’s too bad.

 

Wright has excellent timing, not only with his trademark cuts of visuals and hyper sound effects, but just when you begin to wonder if the whole film will consist of Baby dancing down the street for his coffee, he, Wright, cuts to a new rhythm, and that’s what the film has running through it – rhythm. It is excellently choreographed from start to finish; people walking, dancing, talking, counting money, placing items down on tables, cars whizzing past trucks, every last element is perfect.

Ansel Elgort (The Divergent series) is the titular Baby; he appears at turns vulnerable, cool and collected, and incredibly sweet; especially in his scenes with Debora, played by Lily James (Downton Abbey)

EW baby and debora

Kevin Spacey (House of Cards) plays Doc, the brains and organiser behind each job.  Jamie Foxx (Django Unchained) is Bats, and he is; he claims the monopoly on the one with ‘mental problems’.  Jon Hamm and Eiza González are deliciously deadly as Buddy and Darling, a couple with ‘His’ and ‘Hers’ tattoos on their necks, they stand side-by-side like Mexican anti-heroes in a Robert Rodriguez movie.

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Cranked up to the max; the car chases combined with the playlist that is always playing in Baby’s ear-buds, are as balletic as any performance of Swan Lake. I imagine Wright designed and planned the furiously fast and dizzying manoeuvres as ‘car-dance’ deliberately.

Baby’s playlist –

1. Jon Spencer Blues Explosion—“Bellbottoms”
2. Bob & Earl—“Harlem Shuffle”
3. Jonathan Richman & The Modern Lovers—“Egyptian Reggae”
4. Googie Rene—“Smokey Joe’s La La”
5. The Beach Boys—“Let’s Go Away For Awhile”
6. Carla Thomas—“B-A-B-Y”
7. Kashmere Stage Band—“Kashmere”
8. Dave Brubeck—“Unsquare Dance”
9. The Damned—“Neat Neat Neat”
10. The Commodores—“Easy (Single Version)“
11. T. Rex—“Debora”
12. Beck—“Debra”
13. Incredible Bongo Band—“Bongolia”
14. The Detroit Emeralds—“Baby Let Me Take You (in My Arms)“
15. Alexis Korner—“Early In The Morning”
16. David McCallum—“The Edge”
17. Martha and the Vandellas—“Nowhere To Run”
18. The Button Down Brass—“Tequila”
19. Sam & Dave—“When Something Is Wrong With My Baby”
20. Brenda Holloway—“Every Little Bit Hurts”
21. Blur—“Intermission”
22. Focus—“Hocus Pocus (Original Single Version)“
23. Golden Earring—“Radar Love (1973 Single Edit)“
24. Barry White—“Never, Never Gone Give Ya Up”
25. Young MC—“Know How”
26. Queen—“Brighton Rock”
27. Sky Ferreira—“Easy”
28. Simon & Garfunkel—“Baby Driver”
29. Kid Koala—“Was He Slow (Credit Roll Version)”
30. Danger Mouse (featuring Run The Jewels and Big Boi)—“Chase Me”

 

Baby even halts a job – mid getaway – until he’s found Golden Earring’s Radar Love, before flooring a ’86 purple Chevy Caprice. Baby remains cool at all times; given his age compared to his ‘colleagues’, it’s a pretty impressive performance he puts on for them; whilst his ‘crew’ shout and panic around him to get driving, Baby won’t be pushed till he finds the right tunes.

Is Baby scared? Hell yeah, he’s got his old foster dad, Joseph, back home (CJ Jones), from whom Baby has learnt sign-language and lip reading, and he wants to keep him safe. There is an incredibly touching moment near the end when Baby is taking Joseph to safety, I admit I nearly cried – Baby’s not a bad guy really, he just got in with the wrong crowd. And inevitably, his new love Debora becomes a target in the bid to squeeze more out of Baby, whether a job or simply pain.

I take my hat off to the stunt drivers; way too many to name, but what a fantastic job!!

NB: Don’t sit too close to the screen – like we did – it’ll make your head spin as fast as the cars – my eyes were seriously challenged.